CBD is quickly becoming the Taylor Swift to the wellness world — catchy. It’s healing.

There are many benefits to this (pain relief!) You’ll experience less anxiety! Better sleep So many ways to use oil! gummies! lube! It’s no surprise that CBD is gaining popularity. You might be curious if CBD has the ability to lift you above a kite like “Lover”, or “Back-to December”.

CBD won’t get you high. CBD products are made from cannabis (the same species as the marijuana plant), but they contain very little THC — a psychoactive chemical that can cause euphoric highs.

But it could also provide many other benefits. Here are some facts and figures about CBD’s effects, as well as how they compare to THC. *Cue “Wildest Dreams”*

What is CBD exactly?

Here’s the deal. CBD is one among more than 100 natural substances called cannabinoids. It comes from the hemp plant, also known as marijuana.

Tetrahydrocannabinol (“THC”) is a widely used cannabinoid. It’s well-known because of its psychoactive effects. THC is not to be confused with CBD. These two cannabinoids may come from the exact same place but do different things.

THC is what makes you feel high, and CBD is not. THC and CBD do share side effects. (More on these later).

CBD may make you more relaxed, calmer, and less anxious. It’s a relaxing and soothing form of THC that doesn’t cause any highs or “stoned” effects.

All types and uses of CBD are explained

CBD is available in many forms. They all have similar effects, but each one is slightly distinct.

Oils, tinctures and other products

CBD oil is very popular because it is easy to take, and the CBD gets absorbed into the body quickly.

With a dropper, CBD oils can be placed under the tongue. They’re great for anyone that doesn’t want pills but wants CBD.

Capsules as well as pills

CBD capsules are available that can treat many conditions such as insomnia, seizure disorders, and digestive problems. They are taken the same way as any other pill.

The main difference with a pill and oil is that it takes longer for the pill to reach your body. Therefore, you may not feel its effects as quickly.

Creams and lotions

CBD-infused creams and lotions may be used to reduce joint and muscle pain. Others claim that CBD-infused creams and lotions can treat a variety of skin problems like acne and eczema. But, scientific evidence is lacking. CBD may be present in some skin products.

Edibles

CBD gummies, while very popular, can also be found as candy, chocolates or cookies.

Vaping

To experience the benefits of CBD oil inhale it with an electronic cigarette. Vaping CBD oils is fast absorbed by the body.

But vaping safety is being extremely seriously questioned.

CBD chill vs. high THC

THC , CBD and THC all have an effect HTML1_ on the brain’s cannabinoid receptors (CB1) but they also have very different effects. THC binds directly to these receptors, activating the receptors and causing a high.

CBD, however, is quite different. It has a very low affinity for CB1 receptors. It can even block any high from taking place. If CBD was combined with THC, it might not feel as strong as if you took only THC.

Now, how do you feel after taking CBD?

Although CBD research has been relatively recent, there are some studies that suggest CBD is relaxing. It may lower inflammation and pain, aid in sleep and reduce anxiety.

CBD is safe. Everybody reacts differently, so what another person feels might not be yours.

CBD has side effects that can include:

• diarrhea
• Weight loss and changes in appetite
• Fatigue
• Mild nausea
• Dry mouth
• dizziness

CBD can also interact with some medications . So make sure you speak with your healthcare provider before beginning a CBD regimen.

How does THC affect your feelings?

THC can be inhaled or smoked, which will result in a feeling like you’re high. THC could have some short-term side affects.

• Increased heart rate
• Coordinating issues
• Dry mouth
• Red eyes
• Slower reaction times
• Memory Loss

THC can produce a high that can leave you feeling euphoric.

The scientific name for hemp is cannabis. Its plants and flowers are sometimes called marijuana. They contain a psychoactive, or mind-altering, resin that can affect how you feel, think, and act. It comes as dried leaves and flowers, also known as marijuana buds (marijuana), pressed flowers and leaves (hashish/hash), and concentrated resin that has been extracted with a solvent (hashoil).

It is often smoked as a joint or in a pipe, but cannabis can also become a mist by vaporizing it. Some people make it into tea, and others use it in baking or as a tincture. It is a concentrated liquid that can be absorbed by placing a drop under one’s tongue.

Why are we using cannabis?

Since ancient times humans have used cannabis for many purposes. It’s been used for socializing, to help people relax and communicate with one another. Others have used the drug for spiritual reasons, or to experience an altered state of consciousness. Others use it for anxiety relief or to manage their medical conditions. Cannabis can offer many benefits, but as with all drugs, there are risks.

Relaxing with a friend over a joint on Friday night can be a way to wind down after a hectic work week. Tobacco smoking can cause a dull atmosphere, which can lead to lost conversations and a lack of motivation. It can also make it more difficult to make bad decisions such as driving when the effects have not worn off. Cannabis may relieve anxiety or stress but it can also be harmful to our health and relationships.

What happens if we use cannabis?

Inhaling cannabis causes chemicals called cannabinoids in the lungs to be absorbed into your bloodstream. The effects are almost instantaneous. Cannabinoids get absorbed through the stomach or intestine when they’re swallowed. This process is slow and can make it difficult for the user manage their dose.

Cannabis can have very different effects on different people. One person could feel relaxed, another might feel energetic, yet another could feel anxious. Sometimes the same person can have a completely opposite experience on different occasions. How much cannabis we consume at any given point in time can affect how much. Others that can affect us are our

• Experiences with cannabis before.
• Your current mood and your environment.CannabinoidsThere are more than 60 types of cannabinoids, but best known for its psychoactive properties is delta-9-tetrahydrocannabinol or THC.Health effectsCannabis can be both beneficial to our health and dangerous. Research shows that cannabis can alleviate the symptoms of certain medical conditions, including nausea, pain, and muscle cramps. However, heavy use can lead to many health issues including psychotic symptoms.People who use cannabis socially claim that it helps them relax and enhances their sense of well being. Some people might feel anxious after smoking cannabis. It can also affect their relationships. People may feel unable to remember things for a few hours after they smoke a joint. This may impact their relationships with others.Smoking excessive amounts of cannabis can cause irritation in the respiratory tract. This can increase your risk of chronic coughing as well as shortness and wheezing. While cannabis smoke is similar to tobacco smoke in that it contains cancer-causing substances, the risk of developing some forms of cancer is much lower for cannabis users. This may be due to the fact that they smoke less cannabis than smokers who use tobacco.In the third quarter of 2018, Canadians who are 15 years or older lived in Canada.17% British Columbians had cannabis-related illnesses.14% drove within two hours after using cannabis.5% were passengers in a vehicle being driven by someone who had used cannabis within two hours.

What are the consequences of using cannabis?

A problem is when cannabis use negatively affects your life or the lives and well-being of others. It may seem that people who regularly consume large quantities of cannabis are the problem. However, even one use of cannabis can sometimes cause problems. It is possible to make poor decisions such as driving once the effects have worn off. What is important to realize is that adverse consequences can also be caused by the context of usage and over time.

The risks associated with cannabis use, especially by young people, are particularly high. Similar to other psychoactive drug, cannabis may cause problems with brain development. Also, early use can affect normal patterns of social interaction among peers. This can have a negative impact upon well-being.

Risk of developing serious health problems depends on how cannabis is used. One example is that a person might use cannabis for entertainment, and only occasionally social use. For those who use cannabis to combat a long-term condition such as chronic stress, however, more sustained and intense use can be expected.

The majority of people who use marijuana do not become dependent. However, it is possible to be at greater risk for those who regularly use cannabis over a prolonged period. One person may use cannabis regularly to feel normal and function throughout the day.

If someone stops using cannabis regularly, they may experience mild symptoms of withdrawal such as irritability or loss of appetite.

Over the past 12 months, artists, galleries and art fairs have merged online and physical activities. As in-person shows are returning to their original format, it is becoming apparent that a hybrid (digital/offline strategy) is the best option for sales.

New opportunities have emerged such as online viewing areas, 3D interactive show and Augmented Reality apps. This allows collectors to see the piece in their own homes right away. But are these tools actually selling art?

3D virtual galleries are becoming an attractive tool to promote art online. Artists are able to expand their businesses thanks to the ease of direct purchases and the global reach that online shows offer.

Have you ever looked at gallery apps that let you create online shows but not understood how to get the most out them? This guide will help you understand how to make the most of gallery apps that create online shows.

Make your website the main stage

Your website can host your virtual events, which can attract new and recurrent collectors. People who follow you on your journey may find this type of invitation very encouraging. It’s like being able to peek inside your studio.

An online exhibit will increase the number of visitors to your website, which can lead to new sales opportunities. It is important to include detailed descriptions of your pieces as well as high-quality photographs. Also, make sure you have additional elements that will grab the visitor’s attention such a description of the curation and information about your new items. Arty’s Art collecting 2021 research shows that collectors regard their online activities to be integral and inseparable from their experience on the art marketplace.

Artist Tim Muddiman told us all about his solo show titled ‘The one who slept there’ (July24 – August 31,2021). He placed the exhibition on the homepage and was able show us screenshots of it with relevant links.

His playlist had been in the making for approximately a year. He invited visitors to use that music as they viewed and explored his work. “It was a real, genuine experience transferred to virtual reality.”

His solo show in summer 2021, which was his first solo show, was canceled by the gallery staff due to COVID. He had seen the online galleries on the ArtPlacer websites and so moved his curated exhibition there.

Get international reach

You don’t have to travel long distances to promote your body work. Even if your audience is already international, many people can appreciate your work online. Virtual events can be a great way for you to increase your international sales and open up new revenue streams.

An exhibition can be displayed to a broad audience, rather than being limited to one country. This has proven to be extremely effective and profitable for many artists.

What are the rewards of hosting a mixed show?

It is possible to view virtual replicas IRL in order to get a second look at the items. And collectors are able to better appreciate the works of the artists by repeating the viewing.

Visitors can speak about the experience by providing details and visuals. Visitors can invite their partners and friends to join them online, at any hour.

Gallery software can be used to allow artists to add buttons for “more information” that link to a specific section of their website. Additionally, video links are included within the show to engage collectors. ArtPlacer includes a downloadable PDF brochure, and Augmented Reality interaction.

Get direct purchases

Collectors are now expecting artworks to be sold at visible prices. Next-generation artists (individuals who started collecting art in the past four years) find that a price tag is an obstacle to online art purchases. They want the buying experience to be seamless and secure.

This segment of collectors likes to be able to easily search new artists from their smartphones. They are more likely than others to purchase art directly from their mobile devices. Therefore, we believe that “buy” buttons on mobile devices are now a standard in the industry.

You must place “buy” buttons on artworks within your online galleries with links to buy them. These buttons are ideal for both new collectors and those who are already familiar with the online world. It is important to make sure that your online shop is operational so that customers can easily purchase your art via credit card.

For maximum exposure, create momentum

Now, you have successfully curated your first show using virtual gallery software. What’s the next step? Put your efforts into creating an online strategy.

Start by creating a prelaunch campaign via social media. A Facebook event can be created to announce a new program. You can grow your audience by providing daily insights and information until the launch.

Email marketing can be another powerful way to reach your contacts. Send one or two emails weeks in advance to generate curiosity. Send another email on the morning that the show opens to share the big announcement.

New tools, new strategies

Hybrid thought can only help an artist’s career.

Artist Muddiman stresses the importance for building bonds with collectors and talking to them. “I love to meet people interested and talk with them about my art. In-person art fairs and exhibitions are an excellent way to do that.” I believe that the modern artist should have both online and off-line shows at a time that is manageable, which can be very expressive and highly enjoyable.

Virtual exhibitions open up new avenues for artists to exhibit their art.

NYFA’s Animation School teaches 3D animation and visual effect courses. You need to be able to explain the history and techniques of animation that helped to create and popularize today’s advanced technology. Animation is an essential part of storytelling. Visual effects and 3D animation are two of the most important aspects of storytelling. Understanding other types of animation can allow you to discover new ideas. Animation isn’t just cinema. Graphic novels, comics, and some toys have borrowed from this tradition. There are many inspirations for animation work.

There are five types. As you grow your animation skills, artistic vision, software proficiency, and artistic vision, you will learn to draw from different theories and traditions in animation while you create your unique style.

1. Cel (Celluloid) Animation

This is the original handcrafted cel animation. Before the digital revolution the traditional animation was the standard in the industry.

Traditional animation is a wonderful skill to have. Traditional animation has one major drawback: it can take a long time. But don’t let the tradition-based animation style deter you. There’s plenty to inspire this style: Take a look Aha’s music video “Take on Me” and the incredible Aleksandr Petrov film ‘The Old Man and the Sea,’ both based on the Hemingway novel.

2. 2D Animation

This vector-based animation offers two distinct advantages. It is both affordable and simple to access. Basic knowledge of key frames and Adobe Animate CC is necessary.

3. 3D Animation

3D animations and visual effects are simply the future. 3D animation follows different principles. It is more like traditional animation, but with puppetry. Digitally modeling a character is necessary in order to create a skeleton and move it around. You will need to set the frame and let the computer render.

Why is 3D animating so important? If you want to be successful in this industry, you must learn the basics of 3D animating. CGI has become the standard in animation, both for blockbuster films and live-action sequences. NYFA provides training and support for aspiring animators in 3D animation as well as VFX.

4. Motion Graphics

This visual effect technique involves moving graphic components such as text or logos. It’s usually achieved using software such like After Effects.

5. Stop Motion

Stop motion is similar in style to traditional animation. You have clay models to work with and a set to manipulate for animation. Stop motion is also possible with cutouts, silhouettes, puppets and action figures. In the past, live-action movies used stop motion as a special effect. Today, however, 3D animation has replaced stop motion. However, filmmakers such as Tim Burton almost only work with stop-motion. Think Laika Films’s Coraline, ParaNorman and, most recently, Kubo and the Two Strings.

Stop motion can be a fantastic medium for animators. Stop motion can have its own style, which is difficult to replicate in other mediums, and it requires a lot more work than cel animation. Understanding stop motion is also a key to understanding 3D animation and visual effect.

Gomitas de ositos, small fruit gum candies made from gelatine and shaped like a bear, are gelatine-based. These sweet treats were first created in 1920 by Han Riegal. They are now a popular post-workout snack.

What is a Gummy Bear Made Of?

Gummy bears were traditionally made with glucose syrup, sugar starch, flavorings, and food coloring. There are many ingredient options available as recipes can be varied. You can find vegan or vegetarian gummy bears. There are vodka gummy bears and champagne gummy bears. Gummies can be made from many ingredients, making them a customizable treat.

What’s Gelatin?

Gelatin is a translucent, colorless, and flavorless food ingredient made from animal-based collagen (usually from cows and pigs). Gelatin is a versatile ingredient that can be used in many products, including ice cream, cakes, and ice cream. This is usually what is used for making gummy bears.

Who Invents Gummy Bears?

Hans Riegel invented gummy bears. Hans Riegel invents gummy bears and starts Haribo, the world’s largest gummy candy manufacturer. We are all familiar with the bear that was first to eat Riegel’s gummy candy. Riegel was born in 1923. He owned and operated Haribo confectionery until 1946. His net worth was $2.9B when he died in 2013. Hans Riegel is the first person to have a hand in the history of Gummy bears.

Why Are They Called Gummy Bears

Gummy bears are named after the street festival bears Hans Riegel saw. Hans Riegel’s first gummy invention was gummy bears. They were inspired by the bears Hans Riegel saw at European street festivals. Gummy bears were first created from gum arabic, which was the base ingredient.

Gummy Bear, Gummi Bear?

Haribo is actually spelled “Gummi bear” in the German Gummibarmeaning rubber Bear or Gummibarchen, which means little rubber bear. It refers to a bear with a gummy smile when you spell it “Gummy Bear”.

How do Gummy Bears taste?

Gummy candies are available in many different flavors. Traditional Haribo Gummy Bear flavors include raspberry, orange strawberry, pineapple, and lemon. There are many options, from sour gummy Bears to alcoholic Gummy Bears.

How do you eat Gummy Bears the best?

Gummy bears can be eaten in a variety of ways. You have to decide if you chew or suck gummy bears. It all depends on how you like your gummy bears. Some people prefer to eat the heads first, as they don’t feel guilty about eating them whole.

What Health Benefits are Gummy Bears Providing?

Gummy bears can help curb your appetite and reduce sugar cravings. This is especially true if you are eating sugar-free gummy bears or following a low-carb diet.

Gummies containing vitamin C and collagen may help reduce the pain in your joints.

You can enjoy collagen gummies while enjoying a tasty treat. This helps to strengthen your hair and skin.

Gummy bears are not a healthy snack, but they can be a good snack.

Gummy Bears are Good After Workout.

Pets can eat gummy bears

Gummy bears are not safe for pets. Gummy bears made without sugar are especially dangerous for dogs. You should be worried if you suspect they contain xylitol. Xylitol can have serious toxic effects on dogs. It can cause severe hypoglycemia and direct liver damage. These effects can prove fatal for your dog. If your dog is feeling sick from eating a gummy bear, or other sweets made of gummy candy, contact your veterinarian immediately.

Usually when a museum is flooded with water, something has gone seriously wrong. But at the Fondation Beyeler just outside the Swiss city of Basel, the flooding of the museum is all part of the show: a new site-specific installation called Life by the Danish-Icelandic artist Olafur Eliasson.

The artist has removed one side of the Renzo Piano-designed building (with the architect’s blessing) and let the feature pond—usually separated from the climate-controlled interior by a large glass wall—into the museum. Visitors can navigate the waters, which are up to 80cm deep, using a series of walkways that run in and out of the building. At night, the interior is lit up with blue light.

Eliasson has also dyed the water a fluorescent green and filled it with pond plants, including water lilies and shellflowers selected by the landscape architect Günther Vogt. The water has been coloured using uranine, an organic dye that is commonly used to observe water currents, and which Eliasson has used previously for his Green River (1998) work where he dyed rivers in cities such as Stockholm, Tokyo and Los Angeles.

In an accompanying artist statement, Eliasson writes: “Together with the museum, I am giving up control over the artwork, so to speak, handing it over to human and non-human visitors, to plants, microorganisms, the weather, the climate—many of these elements that museums usually work very hard to keep out.”

The southern side of the building will be open to the elements for the duration of the show, which ends in July. Eliasson writes that “even if no human visitors are in the space, other beings—insects, bats, or birds, for instance—can fly through or take up temporary abode within it.” This possibility is very much part of the work, with the artist adding that when he first spoke to the museum’s director Sam Keller about ideas for the show, he thought to himself: “Why don’t we invite everyone to the show? Let’s invite the planet—plants and various species”.

The show is open 24 hours a day. “Visitors can access the installation at any time. After 9.30pm they do not need a ticket,” says a spokeswoman. She adds that, in terms of non-human visitors, so far there have been “insects, spiders, ducks, a goose and cats.”

Usually when a museum is flooded with water, something has gone seriously wrong. But at the Fondation Beyeler just outside the Swiss city of Basel, the flooding of the museum is all part of the show: a new site-specific installation called Life by the Danish-Icelandic artist Olafur Eliasson.

The artist has removed one side of the Renzo Piano-designed building (with the architect’s blessing) and let the feature pond—usually separated from the climate-controlled interior by a large glass wall—into the museum. Visitors can navigate the waters, which are up to 80cm deep, using a series of walkways that run in and out of the building. At night, the interior is lit up with blue light.

Eliasson has also dyed the water a fluorescent green and filled it with pond plants, including water lilies and shellflowers selected by the landscape architect Günther Vogt. The water has been coloured using uranine, an organic dye that is commonly used to observe water currents, and which Eliasson has used previously for his Green River (1998) work where he dyed rivers in cities such as Stockholm, Tokyo and Los Angeles.

In an accompanying artist statement, Eliasson writes: “Together with the museum, I am giving up control over the artwork, so to speak, handing it over to human and non-human visitors, to plants, microorganisms, the weather, the climate—many of these elements that museums usually work very hard to keep out.”

The southern side of the building will be open to the elements for the duration of the show, which ends in July. Eliasson writes that “even if no human visitors are in the space, other beings—insects, bats, or birds, for instance—can fly through or take up temporary abode within it.” This possibility is very much part of the work, with the artist adding that when he first spoke to the museum’s director Sam Keller about ideas for the show, he thought to himself: “Why don’t we invite everyone to the show? Let’s invite the planet—plants and various species”.

The show is open 24 hours a day. “Visitors can access the installation at any time. After 9.30pm they do not need a ticket,” says a spokeswoman. She adds that, in terms of non-human visitors, so far there have been “insects, spiders, ducks, a goose and cats.”

Usually when a museum is flooded with water, something has gone seriously wrong. But at the Fondation Beyeler just outside the Swiss city of Basel, the flooding of the museum is all part of the show: a new site-specific installation called Life by the Danish-Icelandic artist Olafur Eliasson.

The artist has removed one side of the Renzo Piano-designed building (with the architect’s blessing) and let the feature pond—usually separated from the climate-controlled interior by a large glass wall—into the museum. Visitors can navigate the waters, which are up to 80cm deep, using a series of walkways that run in and out of the building. At night, the interior is lit up with blue light.

Eliasson has also dyed the water a fluorescent green and filled it with pond plants, including water lilies and shellflowers selected by the landscape architect Günther Vogt. The water has been coloured using uranine, an organic dye that is commonly used to observe water currents, and which Eliasson has used previously for his Green River (1998) work where he dyed rivers in cities such as Stockholm, Tokyo and Los Angeles.

In an accompanying artist statement, Eliasson writes: “Together with the museum, I am giving up control over the artwork, so to speak, handing it over to human and non-human visitors, to plants, microorganisms, the weather, the climate—many of these elements that museums usually work very hard to keep out.”

The southern side of the building will be open to the elements for the duration of the show, which ends in July. Eliasson writes that “even if no human visitors are in the space, other beings—insects, bats, or birds, for instance—can fly through or take up temporary abode within it.” This possibility is very much part of the work, with the artist adding that when he first spoke to the museum’s director Sam Keller about ideas for the show, he thought to himself: “Why don’t we invite everyone to the show? Let’s invite the planet—plants and various species”.

The show is open 24 hours a day. “Visitors can access the installation at any time. After 9.30pm they do not need a ticket,” says a spokeswoman. She adds that, in terms of non-human visitors, so far there have been “insects, spiders, ducks, a goose and cats.”

Usually when a museum is flooded with water, something has gone seriously wrong. But at the Fondation Beyeler just outside the Swiss city of Basel, the flooding of the museum is all part of the show: a new site-specific installation called Life by the Danish-Icelandic artist Olafur Eliasson.

The artist has removed one side of the Renzo Piano-designed building (with the architect’s blessing) and let the feature pond—usually separated from the climate-controlled interior by a large glass wall—into the museum. Visitors can navigate the waters, which are up to 80cm deep, using a series of walkways that run in and out of the building. At night, the interior is lit up with blue light.

Eliasson has also dyed the water a fluorescent green and filled it with pond plants, including water lilies and shellflowers selected by the landscape architect Günther Vogt. The water has been coloured using uranine, an organic dye that is commonly used to observe water currents, and which Eliasson has used previously for his Green River (1998) work where he dyed rivers in cities such as Stockholm, Tokyo and Los Angeles.

In an accompanying artist statement, Eliasson writes: “Together with the museum, I am giving up control over the artwork, so to speak, handing it over to human and non-human visitors, to plants, microorganisms, the weather, the climate—many of these elements that museums usually work very hard to keep out.”

The southern side of the building will be open to the elements for the duration of the show, which ends in July. Eliasson writes that “even if no human visitors are in the space, other beings—insects, bats, or birds, for instance—can fly through or take up temporary abode within it.” This possibility is very much part of the work, with the artist adding that when he first spoke to the museum’s director Sam Keller about ideas for the show, he thought to himself: “Why don’t we invite everyone to the show? Let’s invite the planet—plants and various species”.

The show is open 24 hours a day. “Visitors can access the installation at any time. After 9.30pm they do not need a ticket,” says a spokeswoman. She adds that, in terms of non-human visitors, so far there have been “insects, spiders, ducks, a goose and cats.”

Usually when a museum is flooded with water, something has gone seriously wrong. But at the Fondation Beyeler just outside the Swiss city of Basel, the flooding of the museum is all part of the show: a new site-specific installation called Life by the Danish-Icelandic artist Olafur Eliasson.

The artist has removed one side of the Renzo Piano-designed building (with the architect’s blessing) and let the feature pond—usually separated from the climate-controlled interior by a large glass wall—into the museum. Visitors can navigate the waters, which are up to 80cm deep, using a series of walkways that run in and out of the building. At night, the interior is lit up with blue light.

Eliasson has also dyed the water a fluorescent green and filled it with pond plants, including water lilies and shellflowers selected by the landscape architect Günther Vogt. The water has been coloured using uranine, an organic dye that is commonly used to observe water currents, and which Eliasson has used previously for his Green River (1998) work where he dyed rivers in cities such as Stockholm, Tokyo and Los Angeles.

In an accompanying artist statement, Eliasson writes: “Together with the museum, I am giving up control over the artwork, so to speak, handing it over to human and non-human visitors, to plants, microorganisms, the weather, the climate—many of these elements that museums usually work very hard to keep out.”

The southern side of the building will be open to the elements for the duration of the show, which ends in July. Eliasson writes that “even if no human visitors are in the space, other beings—insects, bats, or birds, for instance—can fly through or take up temporary abode within it.” This possibility is very much part of the work, with the artist adding that when he first spoke to the museum’s director Sam Keller about ideas for the show, he thought to himself: “Why don’t we invite everyone to the show? Let’s invite the planet—plants and various species”.

The show is open 24 hours a day. “Visitors can access the installation at any time. After 9.30pm they do not need a ticket,” says a spokeswoman. She adds that, in terms of non-human visitors, so far there have been “insects, spiders, ducks, a goose and cats.”